Ron Berger: An Interview
Ron Berger is internationally recognised for his educational wisdom and insight. He was a public school teacher and master carpenter in his early career and those craft values now inform his educational leadership. He is Chief Academic Officer for Expeditionary Learning, which embraces over 300 schools across the United States, and he also teaches at Harvard Graduate School of Education.
This is the second instalment of our interview with Ron. He is a wonderful storyteller as well as a wise educator — might those things just be linked? Anyway, it is so rich that we are feeding it in small servings! Towards the end, he talks about a lovely project done by ten-year-olds. In the Resources for Teachers section, we have included a teaching guide to that project.
Critique and multiple drafts
Rowan Eggar, Assistant Head: Curriculum & Assessment at Gesher
How can we best support kids to make critiquing and drafting a dynamic process, as opposed to them being basically annoyed because we are having to review again? So that’s my question: What ways are there to design drafting and critiquing so that you can get the best possible outcome for the students?
Ron Berger
Great question. I think the way I’m most known in the world is the Austin’s Butterfly video. And so people understand I am obsessed with kids polishing their work and doing multiple drafts, but it’s not easy, as you say. So, I can give a few reflections on that.
The first, I would say, is that it’s only useful to keep doing drafts if the work keeps improving, if kids can see improvement happening. After that, there is no need to make them do six drafts. There’s not a magic thing that says Austin did six drafts, so therefore everyone should do six drafts. Austin’s work actually kept getting better, and that’s why it made sense for him to keep pursuing that drafting process in the video. One of the things that we can see in the Austin’s Butterfly video is that Austin had a reason to do six drafts, which was, importantly, that there was an audience for that work that he really cared about.
The butterfly Austin drew went on a card. It was sold across the entire state of Idaho. Wow. And all that money was used for butterfly habitats. And so his drawing was supposed to be so good that people would be able to use it to identify the actual butterfly, which is a reason why his first draft wasn’t that useful because you couldn’t actually identify the butterfly from that draft. Some art teachers have critiqued me for making him do something that’s very mechanical but that’s because this isn’t an expressive art project. It’s a scientific illustration. And so there was a reason for him to care about getting it right. And the kids in the video also had that photograph that they were looking at. So they knew what it should look like and felt empowered to say, ‘I can see what’s different about your drawing from that photograph.’
There’s a couple of things to take away from that. One is just the motivational thing. When kids have a purpose for their work that’s beyond their classroom, a real social purpose, a purpose they care about, then they’re way more motivated to do more drafts. Is there a way that what they’re creating can be used for something that matters a lot to them and where they really want it to be good?
For example, I went into a first-grade classroom where kids were working on letters, writing letters, and they were Y2, second years in the US. And they were still working on some of the basics of capitalisation and punctuation and ending sentences and writing legibly. They were young kids, they were six and seven years old, but they had visited the local fire station where they had met firefighters. And so instead of doing practice, they were actually writing a personal letter of appreciation to each firefighter and each student was assigned a firefighter.
A second thing is, do they have a model of what good looks like? If they have, then they can give critique.
So, if I were assigned Loni to write to, I would think, oh my goodness, I’d better get this letter to be perfect because I’m writing to this woman, who’s a firefighter, who’s protecting us, and she’s going to put it up on her locker and look at it every day. I want it to be perfect. I want my lettering to be perfect. I want my punctuation to be perfect. I want my spelling to be perfect. And so there was not a lot of pressure to say to kids, ‘You have to do another draft.’ It was like, ‘I need to keep making it better.’
A second thing is, do they have a model of what good looks like? If they have, then they can give critique.
So if I’m working on my thank you letter for Loni as a firefighter, and Ali is a peer of mine and she has a model of a thank you letter that we’ve all looked at together, a really good one, she can say, ‘You know, Ron, yours doesn’t have this actually. And notice how this one has it.’ And so it’s easier for her to give critique. And it’s easier for me to think, ‘oh yeah, you’re right, I didn’t do this. I didn’t do that’. And I know that we are often, as a culture, afraid to give kids models because we think, oh, what if they copy? But I have an entirely different attitude towards that, which is that copying is how we learn. So if we, as adults, want to learn to do something new like play guitar or speak Danish or do yoga, what do we do?
We go to a class or we go online and we watch somebody do it, and we try to copy them. And then we get critiques about what we’re not doing. Right? And then we try to copy them again. And we keep trying to copy them. We don’t start by improvising, right? We start by watching how they do a yoga pose, listening to how they pronounce something, watching how they do a chord on the guitar. And then we copy it. And then we critique ourselves and we get critique from others.
Modelling is how all of us as adults learn. We should not be afraid to show kids models of what a good letter is, what a good maths solution is, what a good anything is and to agree together why it is good. And then that empowers the kids to critique each other.
So I think it makes sense that kids get frustrated because they feel like ‘I just wanna be done. And you’re just delaying.’ The dynamic is totally different when you feel that this is what we’re aiming for. It’s about giving kids more power over it, by it not being us, the ones telling them it’s not ready, but them being able to see themselves.
Rowan
Amazing. Thank you. That’s really helpful!
How do we know our children well enough to understand what is relevant or right for them?
Ron
Teaching is about relationships. If you want to draw the best out of each kid in your school, in your class, in your group, it’s really about knowing that kid. It’s knowing what they’re proud of, knowing what they’re worried about, knowing what motivates them, knowing where their heart is. And if you want to draw them out, you have to know when it’s okay to tease them and what you can tease them about as a way of showing that you love them.
It’s all about relationships, but that doesn’t mean that we have to individualise what every kid works on. I think that’s a mistake we make, thinking that knowing kids well and loving them and caring about them means that I have to have a totally different task for Rowan, for Loni, for Ali and for Charlotte because one’s interested in dogs and one’s interested in cats etc., so they can’t do the same task as it’s not their passion. I don’t believe that. I believe sometimes kids should be able to write about their passion, read about their passion, do projects about their passion. But I think there’s a side of all of us that wants to do some good for the world.
So, it’s not just a question of passion. It’s a question of if you’re a human, you also want to do something appreciative for others.
I’ll share another story, a project from year fives (10 or 11-year-olds) in Moscow, Idaho, another rural community in the United States. All the kids were brought to an animal shelter and each kid was paired with an animal. Now, this is not an animal that they’re going to be allowed to take home. Their parents are not going to say: ‘You can take this stray dog home or this stray cat. But the kids learned the story behind each animal. What do we know about this dog? What do we know about this cat, her past, what she likes, what she’s afraid of — what do you know?
So they learned the story of their animal. They took a picture of their animal and then they went back and they did a portrait, an artistic portrait of their animal based on the photograph they had. And they did many drafts because there was a real purpose for this. The purpose was that they wanted their animal to be adopted. Oh, wow. Then they wrote a poem about the story of that animal, what they had learned about that animal’s past. Then they took the artistic portrait they had drawn and they took the poem that they had written about the animal, both of which had gone through drafts and they made a poster of it and they laminated those posters and they put them up all over town.
Now, if you’re in the laundromat, and if you are in the motor vehicle registry where you get a driver’s licence, or you’re in the doctor’s waiting room, there are posters of all these animals with poems and portraits. And once those went up all over town, guess what, people started adopting those animals. Because how much can you look at these beautiful animals on these posters without thinking’ I’ve got to adopt that one right there’.
So there was a tremendous reason for kids to care about multiple drafts of their poems and multiple drafts of their drawings and to get critique from each other and from the teacher and from experts. But we didn’t have to think, oh, that’s not a kid who likes dogs, or that’s not a kid who likes cats, therefore we won’t bring her on this trip. We just assumed, correctly, that every kid would understand the human quality of ‘we can save these animals’ lives — if we’re really good at this.’
… my students would be so motivated by that project.
Rowan
Yes. Purpose and agency. I’m just thinking already, my students would be so motivated by that project. That sounds like a dream project. Absolutely amazing. Love it.
Ali Durban, Gesher Co-Founder
It also emphasises the connectedness to the real world which, especially for our students, makes learning much more tangible — rather than knowledge that floats around that doesn’t actually mean anything.
Editor’s Note
A Project Card to support this project has been included here in the Resources for Schools section.
Gesher School’s founders, Ali Durban & Sarah Sultman, share their experiences of founding a school that is radically ambitious about what education can look like. This video narrates the school’s journey, including the underpinning principles, values and pedagogy that bring these ambitions to life, what this innovative approach to educational provision has meant for Gesher’s children and parents and the advice they would give to others who are equally ambitious for change.
Project-Based Learning Animation from Gesher School on Vimeo.
Assessing What Really Matters
A conversation with Ron Berger
In March 2022 some staff and friends of Gesher School met with Ron Berger, Chief Academic Officer at Expeditionary Learning. Ron is the author of 11 of the most valued books about educational leadership, learning and relationships in schools. We talked about what really matters when assessing young people, especially those who are ʻdifferently ableʼ, and what good assessment can mean for supporting happy, fulfilled and kind future generations.
Why aren’t traditional forms of assessment right for children?
Ron Berger
The first thing I would say is that the most important assessment that’s happening in a school is never high stakes tests, or even interim tests, or even weekly tests. The most important assessment that’s happening in a school is what’s going on all day long, every day inside the heads of kids, because every kid in every school is assessing, all day long, how much she understands, how well she’s behaving, how much she wants to try, how good she feels about her identity – her academic identity and her personal identity. When she’s about to hand something in, she thinks, ʻIs it good enough?ʼ She’s in class and she thinks, ʻShould I raise my hand? Do I understand this stuff fully?ʼ When she looks at her personal relationships, she’s always assessing ʻAm I a good enough person?ʼ That kind of assessment is constant. It’s constant in all of us.
And that’s the kind of assessment that matters the most. Of course, we need to check in on kids’ skill levels sometimes, just like every year we should go in for a physical and make sure our body is working and that our vital signs are okay. And, if there’s something wrong in our annual physical, that’s something we need to attend to. But an annual physical tells us nothing about how to live a good daily life, right? It doesn’t give us feedback. We need to be our best selves academically and personally and physically. And it’s the lifestyle choices we’re making all day long about what we eat and how we eat and how much we sleep and how much we exercise and what our relationships are like with others that define whether we have a healthy lifestyle or not. And we are assessing that all day long.
We need to remember our kids are also doing that all day long in school. And so we need to build systems of assessment that encourage them to be their best academic selves and to be their best personal selves all day long, where they’re getting clear feedback from each other and from themselves about ʻHow am I doing? Do I understand this well enough? Can I show more academic courage? Can I take more academic risks? Can I put more effort into this? Can I take the risk of showing what I don’t understand? Can I step up for other people? Can I be a better person?ʼ
So, of course, we still need to have those interim assessments and quarterly assessments and annual assessments, just like we need to go to the doctors’ sometimes, but assessments that give us ways to monitor our own academic and personal health all day long are the assessments that will really make us better students and better people.
Gesher and Standardised Forms of Testing
Rowan Eggar, Assistant Head Teacher, in charge of assessment
One of the things that we are really struggling to navigate is the way our UK education system is built around the notion of standardized testing – which can be quite fixating.
We find that parents, especially those whose children have additional needs, use milestones like GCSE grades as a marker to show their child has made relevant progress, which is entirely understandable. But one of the things that we are trying to do at the moment at Gesher is to also support our parents and children to focus on life skills and the journey it takes to become fully fledged humans in society. You canʼt determine this from standard grades and scores.
We are looking at things like personal and emotional health, self-care, wellbeing, things that maybe our children struggle with more, and starting to build in assessment approaches that encourage them to check in with themselves, very similar to some of the questions that you mentioned, Ron. Lots of our students don’t yet have the toolkit to ask themselves those questions. So this type of assessment needs to be taught in a more obvious way than you might in a mainstream setting.
Loni and I are currently working with a few colleagues on an assessment tool that breaks down the national curriculum into small steps for whole-person assessment. One of the elements of this is around life-skills. Our SENDCO and Assistant have developed a ʻlife-skillsʼ programme, where our children get different badges, bronze up to platinum, depending on the life-skills they are building.
Whatʼs a bit more of a struggle is thinking about assessment for personal traits and character traits. Often our childrenʼs academic progress doesn’t really reflect who they are as people and how much they’ve grown. So, let’s say they’ve grown in confidence to be able to communicate, academic progress might not show that. Weʼre developing a tool that is about personality and character, but thatʼs a work in progress!
What advice would you give to a school embedded in the current assessment culture that wants to move to a new paradigm of thinking about assessment, one that focuses on the wholeness of the strengths and skills of children?
Ron Berger
That’s a great question, because we are all under the same pressures.
I find it really interesting to hear what Rowan is saying about being a school
that’s working with differently abled kids, but there is still the same kind of
intense pressure around labelling and ranking that every other school
experiences.
It’s pernicious and harmful for all kids, but it’s particularly harmful for kids
who always get ranked in a way that doesn’t make them feel positive, and
that doesnʼt focus on their personal identity as a student and as a person.
Imagine if, as adults, we got ranked every day in our life, and we were
always at the bottom of the rankings. What would that do to our spirit in our
work, in our lives as, as people?
I think anything that our schools, and particularly a school like Gesher that’s
working with differently abled kids, can do to keep ranking out of that
conversation is important, because being ranked low on any scale hurts
your spirit. It makes you lose your heart for investing and taking risks.
Kids are also aware of the way the world sees them and the kind of rankings
of the world. So being a school that lets kids know that those types of
rankings arenʼt their priority is really important. Schools should prioritise
and share work that focuses on what kids are learning, through portfolios,
projects, presentations – assessment approaches that celebrate different
types and styles of learning, building on the strengths and positives about
each childʼs learning.
But itʼs important that that type of assessment also shows kids where they
need to work on their challenges and the steps that they need to take next.
I think it’s fine for kids to be able to be honest about the things they struggle
with, whether those are personal things, executive functions, physical or
emotional wellbeing, as well as academic levels.
Ron shares a story here, which can be watched via the QR code at the end of the article, or link.
Ali Durban, Co-founder of Gesher School
I love that. I think as Rowan said, one of our biggest challenges is working in a system that both feels familiar and safe and also gives parents some kind of validation that their child is going to be okay in the world emotionally. Itʼs hard because our children havenʼt become adults yet, so we canʼt yet show that this way of learning and assessment is going to let them shine. Going on a journey like this is ultimately about trust.
Loni Berqvist, Project Based Learning Coach at Gesher School
We have a tendency to try to assess everything that we put value on. Is there a risk that we start to try to assess childrenʼs passions and the impact theyʼre having as humans, say, by creating portfolios that demonstrate the impact they are having on the world, which could kill the passion? How do we move to a place where weʼre comfortable with not having to assess things and demonstrate outcomes in the ʻnormalʼ way?
Ron Berger
I love, Loni, where you went at the end of your question, “assess it in that traditional way”, because I actually think it’s fine to assess everything. If it’s a reflective and formative assessment, if it’s an assessment to help us learn and understand, and it’s not a ranking, judging, summative assessment, then I don’t think it’s bad.
I feel like kids and adults assess everything we do, right? If we watch a TV show, we assess it afterwards, we discuss, what did you like? If you put on a new outfit, you’re going to assess, do I look good in this?
You’re always assessing and making that assessment explicit and reflective and thoughtful and safe is fine. I don’t really worry about us assessing many things. It’s the way we assess them that matters.
But assessment in the traditional sense – where we need a summative number next to this, we need a letter next to it, we need a ranking next to it – is where we kill the spirit of assessment.
So, going to a silly metaphor, if you see a movie, it doesn’t diminish the movie to say, “Wow, that was amazing, where did it work for you? Where did it move you?” But what kills that passion and fun is asking, “Okay, of all the movies you’ve seen in the last three years, where does this one rank? And do you give it an 82 or do you give it a 65.”
That kind of assessment, where it has to be summatively labelled and viewed in a reductionist way, so that it could be ranked along with a set of other movies, stops it being fun to even talk about it. But assessing it qualitatively through reflecting in a safe way is something that we can do with all kidsʼ work and all kidsʼ stuff. They are always doing it anyway. It’s just making it more explicit: ”Let’s have a conversation. How are you doing with this?” Whether it’s a life skill, whether it’s emotional growth, whether it’s physical capabilities, or whether it’s academic doesn’t matter, kids can assess “I’m doing better at this, or I’m not doing better. Why?” That’s very different from saying, “We’re going to rank you. We’re going to give you this label”. That’s scary and threatening but assessing how you’re doing doesnʼt have to be.
Gesher is underpinned by Jewish principles. What does having that foundation bring when assessing children as whole people?
Ron Berger
Well, in particular order for Gesher, there are three reasons why assessment that lifts the whole child and helps the whole child to feel like she’s growing into the kind of person and scholar that she wants to be are important.
The first of those is that it is a school particularly for differently abled students, which means they go through all of their life getting negative messages, telling them that they are not ranking as other people would. There are so many ways in which life is giving them the message that they are not good enough, whether it’s about their social skills, emotional skills, physical skills, academic skills. There’s a tremendous reason for Gesher to use an approach that gives kids power and pride in getting better at what they are rather than feeling diminished about who they are.
So having an asset-based vision of assessment at Gesher for that reason is extraordinarily important. Itʼs important in every school, but particularly important in a school that needs to lift kids who people have seen with a deficit lens, for so much of their life.
And the second reason it’s an important thing for Gesher, is that as a faith-based school, everyone who chooses to send their child to Gesher knows that there is more to life than academics. There is the human character of who you are as a human being. You choose to send your child to a faith-based school because your faith, your culture is something that matters to you, because you want your kids to embrace values that you care about. And those values mean being a good person. And so if the assessment systems diminish the kind of human beings we’re trying to create, they’re not good for us.
We need assessment systems that help our kids become more of the kind of people we want them to be. And so kids should be self-assessing and should be getting assessed for beyond their academics. It should be a holistic assessment system because kids should be proud to say, “This is the strength I have in this, and this is where I need to grow in my character.”
They should be able to say, “I’m focused on improving my courage, my passion, my respect, my responsibility, my kindness, my initiative, my integrity.” Kids should be assessing themselves and thinking about, “How do we become better human beings?”.
Itʼs scary for schools that are not faith based to say that because how do they choose which values theyʼre supporting? Will parents get upset, as they may not feel the values of the school are their values. For me, that’s a ridiculous cop-out and it’s just not real. I think almost all of us as human beings share values. What parent does not want their child to be respectful and responsible and courageous and kind and have integrity and honesty? No faith, no difference, no political party, no background makes you disinclined to want your kids to be a good person in those ways.
A third reason is that schools have no choice but to teach character. Schools are already teaching character all day long because the way kids experience school makes them more respectful or more responsible or more compassionate or less. So the experience of schooling shapes who kids are, and we’re doing it intentionally and well or haphazardly and poorly. In summary, a faith-based school has the opportunity to lean into these things and say, we’re going to do it intentionally and do it well because we want good human beings coming out of this school. And we’re not worried about talking about values because that’s partly why people choose to attend our school. So, for all those reasons, I think having an assessment system that elevates the whole person for every child is a perfect fit for Gesher.
Ron is responsible for leading EL Educationʼs vision for teaching and learning, bringing with him over 45 years of experience in education, 28 of those as a public school teacher.
Ron has authored 8 books on education: A Culture of Quality, An Ethic of Excellence, Leaders of Their Own Learning, Leaders of Their Own Learning Companion, Learning that Lasts, Transformational Literacy, Management in the Active Classroom, and We Are Crew: A Teamwork Approach to School Culture. He is a sought-after keynote speaker nationally and internationally, focusing on quality, craftsmanship, service, and character.
Ron works closely with the Harvard Graduate School of Education, where he did his graduate work and taught the course Models of Excellence, focused on using student work to improve teaching and learning. He founded the Models of Excellence EL website, which houses the worldʼs largest curated collection of high quality student work.
Professional Prompt Questions
- What purpose do your current forms of assessment serve for children as future citizens?
- How would you assess the life-skills that children are learning under your care?
- What values would you assess children for?
- Who would you need to convince to move away front he current assessment paradigm? Yourself? Parents? Colleagues?
- How could the above align with standard forms of assessment, such as GCSE results or OFSTED grades?
Ron Berger – Additional Content from Gesher School on Vimeo.
Turning a Seed of an Idea Into Reality – The Role of Philanthropy
Kate Goldberg
Ever thought about what it means to turn the germ of an idea into something that creates real change in your community? We caught up with Kate Goldberg, Chief Executive at the Maurice Wohl Charitable Foundation, to talk about the role of foundations and the advice they would give to those dreaming of change, including Gesher.
Charlotte Billington
Thanks for your time today and for talking with us about the role that foundations can play in building communities and turning dreams into practice. To start could you describe a bit about the Wohl Foundation and the role you play in your community.
Kate Goldberg
Thanks so much. Itʼs a real privilege to be involved in the work of Gesher and to be part of The Bridgeʼs first edition.
The Wohl Foundation is one of the larger funders of the Jewish community in the UK. We fund work across the education, social and welfare sectors, towards ensuring the sustainability of Jewish and communal life here in the UK.
The position of foundations is a very privileged one. We are quite niche, as we focus mainly on the Jewish community. Weʼre able to take a balcony view of our community and watch the dancers on the floor, but we also all live, work and engage within the community. I often think about the Leonard Cohen quote, “Thereʼs a crack in everything, thatʼs how the light gets in. ” We see our role as both to underpin the core infrastructure, as well as to find the cracks and fund the light, in the shape of new and dynamic projects.
We all have a role to play in developing our community and ensuring that it is the best of us and the best for us.
Charlotte Billington
With that idea of ʻletting the light inʼ, what was it about Gesher School that made you want to invest in their dream?
Kate Goldberg
When the founders, Ali and Sarah, came to us we’d been funding Jewish schools for some time as well as working in the field of special needs. They brought a solution that bridged a real gap. They had clearly defined their target market – who they wanted to set the school up for – and they had a clear rationale – why it was needed and why their idea was the solution to that need.We saw strong leadership, with the passion, vision and determination to turn the dream into a reality. They had (and still have) the ability to vision, and they had the grit to roll their sleeves up and get the job done.
Charlotte
They will be the first to say that they werenʼt a polished product when they approached you. What do you think it was that has helped them turn the seed of their idea into practice?
Kate
Before we met today, I looked back at my notes and actually they came to us with much more than just the seed of their idea. They had already developed a clear sense of what needed to happen to achieve their ambition and they had already spoken with one other key funder who was showing interest. They had a good group of experienced professionals around them, and an advisory and trustee board already set up. Finally, they were also in the process of bringing in more expertise to fill gaps in knowledge.
Having said that, they were not the polished article and we, my colleague Howard Stanton in particular, spent an enormous amount of time helping them refine their ideas, develop a business plan around that, and how to engage with funders, to ensure they could fulfil their dreams.
Charlotte
Would you give them any advice for how to continue meeting their vision?
Kate
I think itʼs really important that their voice is amplified.
They should focus on shouting more about what it looks like to create a school where children with mild or moderate special educational needs are aspiring and thriving. Iʼm not sure how much Gesher is recognised in the wider Jewish or the SEN community yet.
Charlotte
And how do you start to bring a community into your vision and the journey travelled?
Kate
So there’s something about timing, consciousness, and a shift that makes you pay attention. I think that Ali and Sarah captured the timing piece really well, but they need to dig deeper into the consciousness of the community. Itʼs probably a communications effort, which is why I was also glad to take part in this interview and to hear about The Bridge.
They’re very, very good at writing to donors. This should be translated into creating good news stories for others in the Jewish Press and wider.
Charlotte
This has been such an insightful interview, thank you so much Kate. One final question I would like to end on. What advice would you give to others who want to take their seed of an idea and turn it into change?
Kate
I would ask a few questions of yourself:
- Do you have an achievable vision, that is a crack of light?
- Do you have what it takes to deliver?
- Do you have the right governance and people with the right expertise in place to help you?
- Are they pushing you and most importantly challenging your thinking?
- Do you have a plan for sustainability?
If the true answer is yes, then go for it!
Kate Goldberg is the Chief Executive of the Maurice Wohl Charitable Foundation.
A reflection from Gesher’s Co-Founder, Sarah Sultman, on the experience of mobilising the creation of Gesher School
Before we could go to any donors in the community we spent over a year researching the need in the community.
We began by hosting what were essentially ʼtrunk style eveningsʼ in local synagogues and around kitchen tables, where we invited people through Facebook and word of mouth, to come and hear about our plans and to gather people who wanted to get on board. It wasnʼt us dictating to the community our vision but more like sharing our ideas and asking them – what did they want in a school, did they have skills they could help us with.
We knew that ideas alone werenʼt enough to create a school. We needed an entire community of volunteers to freely give up their time and expertise to get the project up and running and we were fortunate to have met so many remarkable people who so enthusiastically wanted to get on board.
The first people that came on board were a retired lawyer and an accountant – we needed to register as a charity and to have some sort of an idea about the finances involved in setting up a school.
This very basic, crude, mind map is from 2014 but this was our starting position! This led us to meet all the people that came on board. It gives you just a small idea of all the different areas we have to find expertise in. We created a network with people introducing us to other people as well as cold calling.
I think our passion, determination and tenacity went a long way but really, once we were armed with the data and the numbers, it was obvious that this school was desperately needed. Most people didnʼt take that much convincing.
We have heard of many others wanting to set up a school and many of them give up before theyʼve really even started. It takes commitment, time and dedication. We thought we could do it in a year but it took us from 2013 – 2017 when our first pupils arrived at the school. There is no official ʻhow to set up a SEN school from scratchʼ manual. If there was, it might have saved us a year or two but equally we wouldnʼt have acquired the knowledge that we did by educating ourselves every step of the way.
Demystifying Project Based Learning
Loni Bergqvist
Loni is Founder & Partner at Imagine If, and is a PBL coach to Gesher School
There is a range of reasons why a school decides to break the mould of traditional education and embark on a journey of using Project-Based Learning (or PBL) as their primary approach to teaching and learning. Many schools are becoming increasingly aware of the skills and knowledge their students will need to thrive in their lives due to advancements in technology and society.
These skills include collaboration, critical thinking and communication among others. Other schools become interested in PBL because of a philosophical resolution that every single student, regardless of background or perceived academic ability, should be able to flourish in school. In this pursuit, schools are required to break the traditional model of “one-size-fits-all” approach to learning where everyone is doing the same thing at the same time in the same way.
Instead, PBL offers the possibility for students to investigate real-world problems and challenges that are relevant to their lives. They collaborate in teams and develop their own solutions. Students are engaging with learning that matters to them and producing work that matters to someone else.
But itʼs not rocket science.
I often get asked, So, what exactly is PBL?
And the honest answer is: you already know.
Projects make up the world we live in every day.
When a daughter learns to play a love-song at her parentʼs wedding anniversary party. When film-makers make a documentary for a TV programme. When a lawyer takes on a new case. When we cook a meal for our family. Our lives are made up of little and large projects. When we are driven by a real need to create or do something new… we engage in Project-Based Learning.
But most schools are not set up to embrace learning in this way. To make this transition, teaching and learning must be organized around a set of Project Design Elements that help establish the basis for authentic work and natural learning processes while also, importantly, integrating academic learning goals.
Project Design Elements
Big Questions
Every project is composed around a Big Question that is designed to set the stage for the inquiry and exploration during the project. Big Questions are complex, found in the real-world and require students to develop their own answers over time. Examples of Big Questions include: How can we get our families to be more healthy? and “What is the perfect school?”
Student-Created Products
During each project, students create products. It is these products that drive the learning and inquiry process throughout PBL. Products can be physical (like a sculpture, poster or furniture) or virtual (like a website or social media campaign) and everything in between. In the process of making, we learn by doing and engage the head, hand and heart.
Drafting and Critique Process
Driven by creation, students go through a process of drafting and critique. They start by examining models of exemplar work and ask and answer the question, what makes a good (product)? They may need to brainstorm, draft a plan or do additional research as they start to make their products with their peers. With each new draft, feedback is given to improve the work. Sometimes this feedback is teacher to student, but it is often peer to peer or an expert guest from outside school who is relevant to the project. Through this process, students nurture a ʻgrowth-mindsetʼ, go deeper into their own understanding and application of academic knowledge and create a community of learners where it is the responsibility of all to produce beautiful work, and to support each other to do that.
Exhibition
Every project includes an Exhibition of learning where students present their work (product and process) to a public audience. This authentic audience is carefully chosen and is best when it includes members who require the knowledge and products created in the project by students. This might include a school-wide Exhibition night where the local community is invited, or a presentation at the local aquarium to inform the public about ocean conservation.
The Philosophy of PBL
While projects are planned around these Design Elements, there are foundational beliefs and philosophies that underpin PBL and are just as significant as the project. When these vital mindsets are in combination with great project design, PBL is transformative and truly authentic to learners.
Adults must believe that all young people are capable of amazing things. When the adults working around children hold limiting beliefs about what individuals are capable of achieving, when we use language like more able or less able, it becomes impossible to design learning experiences that allow all students to flourish.
Teachers must believe that learning is more than memorization. In our current education culture, most of us have been conditioned to believe that learning is about memorizing knowledge and we are ultimately successful in learning when we can transfer this knowledge onto a test or exam. School learning and the learning that is mostly required of us outside school are two different things. Natural learning (when toddlers learn to walk, for example) engages in a process similar to PBL. Itʼs messy. It requires failure. And itʼs not always easy to assess or find progress. But toddlers walk, and they exhibit it! When we shift our perceptions of what learning is, we can find much more of it and begin to value something else.
Finally, there must be a profound boldness to commit the primary purpose of school to be empowering young people to know who they are, what they are naturally positioned to love and to have the confidence to contribute to the world they are already a part of. It is the boldness to commit to every young person leaving school with their self esteem as a learner enhanced – to every child walking.
Loni Bergqvist is the Founder and Partner at Imagine If, a Denmark-based organization committed to support schools with using Project-Based Learning as a catalyst for educational change. Loni was previously a teacher at High Tech High in San Diego, California and has worked with schools to support the use of PBL since 2013.
Professional Prompt Questions
- How is your current curriculum preparing learners for the real world skills they need?
- What do young people really need to learn in order to thrive?
- How can you build a curriculum in which every child can thrive and explore and build their innate skills?
- How can you develop projects that allow your children to create authentic work?
- What does a really good, whole-person, learning process look like?
Developing the spaces and places where children learn and thrive
Terry White and Bhavini Pandya
“Learning is not the product of teaching. Learning is the product of the activity of learners.” – John Holt, American author and educator.
The concept that childrenʼs learning does not follow as an automatic consequence of what they are taught is well established. Loris Malaguzzi, in developing the Reggio Emilia approach, believed that children are capable individuals with the ability and desire to develop their own knowledge. He recognised, as part of his work, the value of space and, in his own words, wanted to ensure “a handsome environment with its potential to inspire social, effective and cognitive learning”. His thinking was influential in developing the concept of space being described as the “third teacher”.
Such an approach focuses on meeting the needs of the whole child and involves moving from a culture of teaching to a culture of learning, and where learning experiences move towards the design of a meaningful, empowered and creative world for children, enabled by the teacher.
The spaces and places where children learn therefore matter and they are inspired by aspirational pedagogy. It follows that the design of all environments for learning should be both learning and learner-led and set within the distinctive culture, ethos and values of the school and its learning community. Our experience working with many schools has been that you canʼt successfully design education spaces unless you fully understand the learning and teaching practices that they need to support.
Planning Learning Spaces in Practice, and Autens, have worked together in collaboration with Gesher School to help make a reality of the schoolʼs vision for learning through the design of learning environments for the school and community. Gesher is developing an approach that is focused on a learner-centred curriculum and is designed to develop the whole person, balancing “head, heart and hand”.
The scope at Gesher embraces conventional areas such as ʻclassroomsʼ (flexible furniture design and arrangement, decor, resources and equipment, images, fluid links between rooms), display areas, corridor environments, dining and social areas.
It also involves the co-design of an ambitious integrated Maker Space; creation of large exhibition areas; and creative incorporation of external environmental features into the everyday learning ecosystem of the school.
Lene Jensby Lange at Autens recognises that “learning environments are an expression of a learning culture and need to be designed to strengthen that culture”.
As a team we are excited and honoured to be part of the learning journey of Gesher School seeking collectively to reimagine opportunities for learning. We are confident that by creating an active engagement process around current and future practice with teachers, learners and community, a transition to new and innovatory learning environments can occur. We believe that teachers and learners must be fully engaged and empowered to fully contribute to the design process.
As a design team, we have engaged with learners and school staff to develop thinking about what will excite, motivate and interest learners and teachers in the design and furnishing of the learning spaces. It has been inspiring to see the level of detail and innovative thinking that learners and staff have brought to the design of spaces, both inside and outside the building.
Learners and staff together are becoming the creators and designers of the spaces and places in which aspirational learning will occur.
“The task of good school design is to create the best physical environment – the best habitat — for that to happen. For that reason, reimagining schools is one of the most creative challenges in contemporary education.” Sir Ken Robinson. Planning Learning Spaces. (Hudson and White) Laurence King Publishing.
Bhavini Pandya and Terry White are co-directors of the Planning Learning Spaces in Practice Projects. Sir Ken Robinson was a British author, speaker and international advisor on education in the arts to government, non-profits, education and arts bodies.
Professional Prompt Questions
- Is the vision of the school reflected in the day-to-day learning experience for all?
- Whose needs does the learning space serve?
- What value do you place on learners taking responsibility for their own learning?
- How dynamic and adaptable are your learning spaces?
- Are your learning spaces encouraging enquiry, collaboration, creativity and physical movement?
- Are you placing equal value on inside and outside learning spaces?
Building an Essential Curriculum
Lucy Bailey
The Mental Health of Children and Young People (MHCYP) survey found that one in six children aged 5-16 had a probable mental health disorder in 2020. Earlier data showed that only a quarter of these children had contact with a mental health specialist, and one quarter had no support at all.
The consequences of not addressing early mental health issues extend to adulthood, limiting opportunities. As it currently stands, education is not geared towards equipping children with the skills and tools they need to live happy, healthy lives. There needs to be a fundamental shift in understanding about the role schools can play in the long-term health and wellbeing of our future generations. When young people feel connected to their schools (and their families) this can protect against the risk of:
- Suicide
- Disordered eating
- Susceptibility to injury
- Violence
- Substance abuse, and
- Emotional distress.
This is why Bounce Forward is passionate about supporting schools to build a curriculum that equips children and young people with the essential tools to develop emotional resilience and psychological fitness; preparing them for life, not just exams.
What does a positive emotional resilience curriculum look like?
There are four core elements that Bounce Forward teaches young people in their lessons:
- How to deal better with education and life pressures so they bounce forward in and beyond school
- The mental resilience skills to think flexibly and realistically to adapt and respond to challenges and make the most of opportunities
- The emotionally intelligent capacity for empathy, compassion and hope
- How to be proactive agents for change about the things they care about, and that matter most for humanity.
This article focuses on two of these four areas, exploring how each can be taught as part of an emotional resilience curriculum.
Teaching Optimism
Optimistic thinking is not the same as positive thinking. Learned optimism is the ability to focus on the positive whilst not ignoring the negative. The idea is that if there is a choice (and there often is) it is more productive and helpful to pay attention to the positive that can be found amongst the negative. To teach optimism, first we have to understand the link between thoughts, feelings and behaviour. This is possible using a well-established and simple cognitive behavioural model that helps break down situations into facts, beliefs and consequences.
The theory suggests that when things happen, we interpret them, deciding what has caused the situation, or the implications of the situation. It is our interpretation or beliefs in that moment that influence our emotion and our behaviour. Imagine three people in the same situation – stuck in a traffic jam.
Person one thinks “some idiot has been driving too fast”, feels angry and beeps their horn. Person two thinks “there is nothing I can do about it”, feels calm and takes the opportunity to listen to their favourite tune. Person three thinks “I am going to be late to pick up the children from school”, feels anxious and clutches their head in their hands.
One situation, three different responses (emotions and behaviour) because each person’s beliefs about the situation were different.
This simple understanding offers choices: If I don’t like how I am feeling and behaving, then I can reframe my thinking. It leads to a sophisticated understanding of self as patterns emerge: In these types of situations I can react in an unhelpful/helpful way. It supports the ability to clearly explain what is going on for me: This happened, the facts were x, y, z. I believed ……. to be true and I felt ……. and responded by doing ……….
This foundational learning has been proven to see sustained long-term positive outcomes.
But please donʼt make the assumption that the goal is for young people to feel happy all of the time. Almost by contrast, the goal is to help young people explore alternatives, look for evidence for what they believe to be true, challenge their viewpoint and develop the psychological muscle to overcome setbacks and make the most of opportunities.
This is achieved by teaching skills and providing the opportunity to practise and master the skills.
Teaching Compassion
Compassion comes when we are faced with another personʼs suffering and we want to do something to relieve that suffering. Learning how to be compassionate starts with understanding emotions, the range of emotions we can feel and what happens in our bodies and minds when we experience certain emotions. This understanding offers the opportunity to first understand our own emotions and then to build empathy, the ability to take the perspective of and feel the emotions of another person. It is this understanding that drives us to be compassionate because we can understand what someone else is going through.
By supporting young people to recognise the differences between positive and negative emotions and the associated levels of energy that are spent (or wasted) with strong emotions, they can develop strategies that help them manage their emotions and therefore their energy, and themselves, more effectively.
Positive emotions can often take a back seat, while we pay attention to negative emotions, but they really are important. When we feel good, (happy, content, relaxed, at ease, receptive), we are better equipped to problem solve and think creatively in the moment, which in turn builds personal resilience such as social connections, and physical and psychological resources. So, supporting young people to recognise their positive emotions is not a ʻnice to haveʼ part of teaching; it is essential to equip them to deal with adversity.
Conclusions
Optimism and compassion can be viewed as ʻsoftʼ, ʻnice to havesʼ but there is nothing soft about them, they are essential and a part of core learning we should be teaching in school to all of our children, especially those who face learning challenges. Building a curriculum and teaching it in a scientific way will help all our young people to not only survive, but thrive.
Lucy Bailey is Chief Executive Officer and Founder of Bounce Forward. She is proud of her beginnings as a youth worker and her 17 years of experience of working in, developing, reforming and managing childrenʼs services. Over the last 12 years Lucy has focused on education and has been instrumental in embedding resilience curricula in schools and services across the UK. Her passion is to drive a movement to influence UK policy around education to form a positive system of change. Lucy directed the Healthy Minds research project, has an MSc in Practice Based Research, a BSc in Social Policy and Criminology, and a Post-Graduate Certificate in Education.
Professional Prompt Questions
- To what extent do you see yourself as responsible for your studentsʼ emotional health?
- In what ways might staff in schools role-model compassion?
- What tools can you give children to deal with adversity?
Useful Resources